RELEASE DATE Južni vetar 2 In Croatia (2021) Prevodom na Srpski

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RELEASE DATE Južni vetar 2 In Croatia (2021) Prevodom na Srpski

Nastavak filma Južni Vetar iz 2018. i istoimene TV serije.

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DETALJI
Originalni naslov: Juzni vetar 2: Ubrzanje
Početak prikazivanja: 04.11.2021
Žanr: krimi, drama, triler
Dužina trajanja: 127 min
Država/Godina: SRB/2021
Režiser: Milos Avramovic
Glumci: Milos Bikovic, Jovana Stojiljkovic, Zachary Baharov
Distributer: ART VISTA d.o.o.

SADRŽAJ
Petar Maraš koristi prednosti stečenog statusa neprikosnovenog vođe srpskog podzemlja. Želeći da proširi svoj posao i vrati se u okvire zakona, Maraš ulaže ilegalno stečen novac u legalne poslove, i vrebajući povoljnu priliku, on po zadatku, sa svojim vernim Baćom, odlazi u istočnu Srbiju. Tamo ga zatiče vest koja će ga primorati da momentalno promeni planove...

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Ron da error Online Latino: Ficha técnica, estreno, todo sobre de la película completa y dónde ver
«Ron da error», película animada que sigue a un adolescente ansioso por hacer amigos y su relación con un hiperconectado y disparatado robot, llega este jueves a los cines argentinos con una aventura para toda la familia que busca dejar una reflexión sobre la absorbente presencia en las redes sociales y la posibilidad, por fuera de ellas, de vincularse de una manera «verdaderamente significativa».

Así describió sus aspiraciones Jean Philippe Vine quien, junto con Octavio Rodriguez, dirigió el filme de 20th Century Studios y Locksmith Animation, que es uno de los últimos proyectos animados que la Fox tenía en carpeta al momento de ser adquirida por The Walt Disney Company en marzo de 2019.
 
La trama sigue a Barney, un tímido estudiante de colegio secundario que desea con todo su ser un B*Bot, un dispositivo digital conectado a internet que camina y habla y que permite, como si de un smartphone se tratara, interactuar en redes sociales.

Todos sus compañeros y compañeras tienen uno pero su costo es un impedimento para el papá de Barney. Cuando por fin consigue regalarle uno, que llevará el nombre de Ron, resulta que es un ejemplar con un desperfecto que altera su algoritmo y lo hace impredecible.

Gracias a eso, el disfuncional Ron hará que Barney experimente no una amistad prediseñada por ingenieros informáticos, sino una de una manera más genuina y real.

«Pensamos a Andrew como a alguien que quiere ser Steve Jobs pero que no tiene el talento. Creo que hay un elemento del B*Bot que es noble e idealista.»,JEAN PHILIPPE VINE

Con las voces en inglés de Zach Galifianakis, Jack Dylan Grazer, Olivia Colman, Ed Helms y Justice Smith, entre más, «Ron da error» se pregunta así sobre el carácter de la amistad en la era de las redes sociales, el espacio que ocupan en la vida de los jóvenes (y los que no lo son tanto) y el lado oscuro de las corporaciones tecnológicas que acceden a montañas de información de los usuarios.

 ● ● TV MOVIE ● ● 

The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers.
The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets.
The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last hDemon Slayer: Le train de l'infiniout among daytime network shows converted to color, resulting in the first completely all-color network season.

● ● Formats and Genres ● ●

See also: List of genres § Film and television formats and genres
Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed]
A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story L'Attaque des Titans Saison 4 Épisode 7ning over its intended five-season Demon Slayer: Le train de l'infini.[citation needed]
In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

● ● Thank’s For All And Happy Watching ● ●

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