How To Create The Perfect Bass In Your Music Productions

Author : RyanFeest
Publish Date : 2021-03-15


How To Create The Perfect Bass In Your Music Productions

It has often been said that the bass is the hardest thing to get right when it comes to programming and recording electronic dance music. The bass is the glue that binds the other parts of the track together and in some cases can also double up as a lead in it's own right. Master the bass and you'll have a winner, get it wrong and it's back to the drawing board.

The key element in dance music is the relationship between the kick and the bass. The trick to achieving this is finding a kick and a bass that complement each other rather than fighting for the same same space and frequencies. A technique such as side chain compression can be very useful in achieving a good mix between the kick and bass.

There are two kinds of bass that you should be aware of: regular bass (90hz-300hz) and sub bass (20hz-90hz). Ignoring sub bass will leave your track sound flat and weak, especially on a big system. Remember that the sub should never over power the regular bass in your mix. A good pair of monitors and/or a frequency analyser plug-in will help when trying to achieve a good balance between the two.

There three general categories to be aware of when composing your bass, there is the bass that acts as a rhythm. This is a bass line that contains no melodic elements but simply a groove that drive the track along. This type of bass line will provide a rhythmic backbone to your track creating space to allow melodic or percussive elements to come through in the mix. This style of bass is created most frequently through the use of alternate octaved notes or through the addition of a fifth note from the scale.

The bass riff is a more complex style and and can add a more memorable melodic element or hook to the track. Using a mixture of live samples and programmed notes can be very effective. Remember to adjust velocities. It is also a good idea to turn off the quantise in your DAW and manually kick the notes around a little after you've recoded your riff to add some natural feel and swing to it.

The third category is the baseline as a lead. This is typical in a genre such as electro house. This kind of lead bass line will need to maintain the listeners interest throughout the track. This can be done by starting with the basic pattern and evolving it as the track progresses with a series of programming and effects tricks. Remember that if you are using the bass to double up as a lead you may also want to add a second synth part an octave or two higher to add harmonic content and make sure that sound is big enough to fill the track.

By understanding what you wish to achieve with your bass lines and by mastering some basic production techniques you will be grooving, booming, filling the speakers, and providing a solid rhythmical foundation for your tracks in no time.

examples of different styles of bass line production techniques can be found through the following links deep house mix [http://www.coreyromero.net] or deep house podcasts [http://coreyromero.net/podcast/]

It has often been said that the bass is the hardest thing to get right when it comes to programming and recording electronic dance music. The bass is the glue that binds the other parts of the track together and in some cases can also double up as a lead in it's own right. Master the bass and you'll have a winner, get it wrong and it's back to the drawing board.

The key element in dance music is the relationship between the kick and the bass. The trick to achieving this is finding a kick and a bass that complement each other rather than fighting for the same same space and frequencies. A technique such as side chain compression can be very useful in achieving a good mix between the kick and bass.

There are two kinds of bass that you should be aware of: regular bass (90hz-300hz) and sub bass (20hz-90hz). Ignoring sub bass will leave your track sound flat and weak, especially on a big system. Remember that the sub should never over power the regular bass in your mix. A good pair of monitors and/or a frequency analyser plug-in will help when trying to achieve a good balance between the two.

There three general categories to be aware of when composing your bass, there is the bass that acts as a rhythm. This is a bass line that contains no melodic elements but simply a groove that drive the track along. This type of bass line will provide a rhythmic backbone to your track creating space to allow melodic or percussive elements to come through in the mix. This style of bass is created most frequently through the use of alternate octaved notes or through the addition of a fifth note from the scale.

The bass riff is a more complex style and and can add a more memorable melodic element or hook to the track. Using a mixture of live samples and programmed notes can be very effective. Remember to adjust velocities. It is also a good idea to turn off the quantise in your DAW and manually kick the notes around a little after you've recoded your riff to add some natural feel and swing to it.

The third category is the baseline as a lead. This is typical in a genre such as electro house. This kind of lead bass line will need to maintain the listeners interest throughout the track. This can be done by starting with the basic pattern and evolving it as the track progresses with a series of programming and effects tricks. Remember that if you are using the bass to double up as a lead you may also want to add a second synth part an octave or two higher to add harmonic content and make sure that sound is big enough to fill the track.

By understanding what you wish to achieve with your bass lines and by mastering some basic production techniques you will be grooving, booming, filling the speakers, and providing a solid rhythmical foundation for your tracks in no time.

examples of different styles of bass line production techniques can be found through the following links deep house mix [http://www.coreyromero.net] or deep house podcasts [http://coreyromero.net/podcast/]

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