Madara Uchiha is one of the legendary figures in the world of Naruto. Being the strongest in the Uchiha clan, Madara himself was once the main rival of the First Hokage, Hashirama Senju. In the Fourth Shinobi War, Madara was resurrected with extraordinary strength. He also became stronger after becoming the Ten-Tails' Jinchuriki.
Not only that, but Madara became increasingly difficult to beat after he got the form of Rikudo. Of the many strong shinobi present in the world of Naruto, here are five characters who can defeat Rikudo Madara. Are you curious about the characters? Check out the following reviews.
1. Isshiki Otsutsuki
In Boruto: Naruto Next Generation, Isshiki is shown as the main antagonist with extraordinary strength. In fact, his strength is able to surpass Rikudo Naruto and Sasuke.
Isshiki's true strength has not been revealed to fans. But certainly, Isshiki has enough strength to defeat Konoha's two strong shinobi, namely Naruto and Sasuke. Even though Madara was very strong, he was no match for Isshiki.
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2. Hagoromo Otsutusuki
Also known as the Rikudo Sennin, Hagoromo is the eldest son of Kaguya Otsutsuki. Together with his younger brother, Hamura Otsutsuki, Hagoromo managed to defeat Kaguya and seal him.
Hagoromo's main strength has never been shown. However, he was strong enough to become the Ten-Tails' Jinchuriki. Hagoromo's strength made him known as the God of Shinobi, proving that he was much stronger than Madara, even in his Rikudo form.
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3. Sasuke Uchiha
Is the younger brother of Itachi Uchiha, Sasuke is already known as the strongest Uchiha member ever. Being the strongest in his clan, Sasuke is the only person who can rival the strength of the Seventh Hokage, Naruto Uzumaki.
After years of developing his Rinnegan, Sasuke has reached a point where he cannot be defeated by any powerful shinobi, including Madara.
4. Naruto Uzumaki
In his Rikudo Sennin form, Naruto Uzumaki can defeat most of the strongest Shinobi ever, including the Otsutsuki descendants. During the Fourth Shinobi War, Naruto was also able to fight against Madara and surpass him in several ways.
As the Seventh Hokage, there is no doubt that Naruto is much stronger than Madara.
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5. Kaguya Otsutsuki
Also known as Mother Chakra, Kaguya Otsutsuki is known as the final antagonist in the Naruto series . Since he was first introduced, it was clear that Kaguya had a much stronger power than Madara.
Kaguya had the strength that was strong enough to defeat both Naruto and Sasuke at once, something Madara could not do. Apart from that, he is also able to destroy all dimensions with his Ninjutsu.
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Those are the five characters who can beat Rikudo Madara. In your opinion, who else is the character capable of defeating Rikudo Madara?
Emakimono and kagee are considered precursors of Japanese animation. Emakimono was common in the eleventh century. Traveling storytellers narrated legends and anecdotes while the emakimono was unrolled from the right to left with chronological order, as a moving panorama. Kagee was popular during the Edo period and originated from the shadows play of China. Magic lanterns from the Netherlands were also popular in the eighteenth century. The paper play called Kamishibai surged in the twelfth century and remained popular in the street theater until the 1930s. Puppets of the bunraku theater and ukiyo-e prints are considered ancestors of characters of most Japanese animations. Finally, mangas were a heavy inspiration for Japanese anime. Cartoonists Kitzawa Rakuten and Okamoto Ippei used film elements in their strips.
A frame from Namakura Gatana (1917), the oldest surviving Japanese animated short film made for cinemas
Animation in Japan began in the early 20th century, when filmmakers started to experiment with techniques pioneered in France, Germany, the United States, and Russia. A claim for the earliest Japanese animation is Katsudō Shashin (c. 1907), a private work by an unknown creator. In 1917, the first professional and publicly displayed works began to appear; animators such as Ōten Shimokawa, Seitarō Kitayama, and Jun'ichi Kōuchi (considered the "fathers of anime") produced numerous films, the oldest surviving of which is Kōuchi's Namakura Gatana. Many early works were lost with the destruction of Shimokawa's warehouse in the 1923 Great Kantō earthquake.
By the mid-1930s animation was well-established in Japan as an alternative format to the live-action industry. It suffered competition from foreign producers, such as Disney, and many animators, including Noburō Ōfuji and Yasuji Murata, continued to work with cheaper cutout animation rather than cel animation. Other creators, including Kenzō Masaoka and Mitsuyo Seo, nevertheless made great strides in technique, benefiting from the patronage of the government, which employed animators to produce educational shorts and propaganda. In 1940, the government dissolved several artists' organizations to form the Shin Nippon Mangaka Kyōkai.[a] The first talkie anime was Chikara to Onna no Yo no Naka (1933), a short film produced by Masaoka. The first feature-length anime film was Momotaro: Sacred Sailors (1945), produced by Seo with a sponsorship from the Imperial Japanese Navy.
Momotaro: Sacred Sailors (1945), the first feature-length anime film
The 1950s saw a proliferation of short, animated advertisements made in Japan for television broadcasting. In the 1960s, manga artist and animator Osamu Tezuka adapted and simplified many Disney animation techniques to reduce costs and limit frame counts in his productions. He originally intended these as temporary measures to allow him to produce material on a tight schedule with an inexperienced staff, though many of his limited animation practices would later come to define the medium's style. Three Tales (1960) was the first anime film broadcast on television; the first anime television series was Instant History (1961–64). An early and influential success was Astro Boy (1963–66), a television series directed by Tezuka based on his manga of the same name. Many animators at Tezuka's Mushi Production would later establish major studios (such as Madhouse, Sunrise, and Pierrot).
The 1970s saw growth in the popularity of manga, many of which were later animated. Tezuka's work—and that of other pioneers in the field—inspired characteristics and genres that remain fundamental elements of anime today. The giant robot genre (also known as "mecha"), for instance, took shape under Tezuka, developed into the super robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino, who developed the real robot genre. Robot anime series such as Gundam and Super Dimension Fortress Macross became instant classics in the 1980s, and the genre remained one of the most popular in the following decades. The bubble economy of the 1980s spurred a new era of high-budget and experimental anime films, including Nausicaä of the Valley of the Wind (1984), Royal Space Force: The Wings of Honnêamise (1987), and Akira (1988).
Neon Genesis Evangelion (1995), a television series produced by Gainax and directed by Hideaki Anno, began another era of experimental anime titles, such as Ghost in the Shell (1995) and Cowboy Bebop (1998). In the 1990s, anime also began attracting greater interest in Western countries; major international successes include Sailor Moon and Dragon Ball Z, both of which were dubbed into more than a dozen languages worldwide. In 2003, Spirited Away, a Studio Ghibli feature film directed by Hayao Miyazaki, won the Academy Award for Best Animated Feature at the 75th Academy Awards. It later became the highest-grossing anime film,[b] earning more than $355 million. Since the 2000s, an increased number of anime works have been adaptations of light novels and visual novels; successful examples include The Melancholy of Haruhi Suzumiya and Fate/stay night (both 2006).
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- На окраине Стамбула расположен район Чукур. Многие годы этим районом управляет семья Кочовалы, и одно из главных их условий – не распространять наркотики. Однако появляется группа недовольных, и они решают взять управление районом в свои руки. В это же время из Парижа возвращается младший сын семьи Кочовалы – Ямач, который покинул отчий дом много лет назад. Вместе с ним приезжает Сена - девушка, которой он клялся в любви. Но смогут ли молодые люди быть счастливы в Чукуре?